Sydney Opera House

Onlookers seated on the monumental steps for the  Opera House’s opening ceremony. October 20th 1973.

‘The people’s house’: what’s in a name?

The ‘Sydney Opera House’, the ‘Opera House’, or simply ‘the House’ – we know it by many names. But why is this Australian icon also called ‘the people’s house’? Exhibition curator Dr Scott Hill explores the story behind a name

View of the Australian Ballet 'The sleeping beauty (detail)' [right] and the Opera Australia 'Mariana Hong in Falstaff (detail) ' and the Sydney Symphony Orchestra 'People's choice concert (detail) [left] stairwell banners - The People's House marketing & installation photoshoot

Sydney Opera House: inspired design

Kieran Larkin, Senior 3D Designer at Museums of History NSW, talked to us about some of the highlights and challenges of designing the landmark exhibition The People’s House: Sydney Opera House at 50, on display at the Museum of Sydney until March 2024

Close up view of Steven Russel and Phyllis Stewart 'Untitled (woven Sydney Opera House)', 2023 - The People's House marketing & installation photoshoot - The People's House marketing & installation photoshoot
First Nations

How to weave an opera house

Inspired by a stunning shellworked model of the Sydney Opera House by Bidjigal artist Esme Timbery, First Nations curator Tess Allas commissioned a woven model of the iconic building from master weavers Steven Russell and Phyllis Stewart

A mannequin dressed in an elaborate Renaissance-style stage costume stands in a large Perspex-fronted display case . On the rear wall a small screen is showing a scene from the opera Lucrezia Borgia where Dame Joan Sutherland is wearing the same costume.

Dressing Joan Sutherland

One of the most spectacular costumes on display in the exhibition The People’s House: Sydney Opera House at 50 is an extraordinary Renaissance dress designed by Kristian Fredrikson and worn by Dame Joan Sutherland in the part of the notorious Lucrezia Borgia

A Sepik River mei mask

An eye-catching object in the People’s House: Sydney Opera House at 50 exhibition reveals an unexpected story of the opening ceremonies, of performance, and of international diplomacy

Kim Tao with her snow globe collection at the Caroline Simpson Library

An Opera House in every home

Instantly recognisable, the Opera House has been replicated across a vast array of forms and materials, from kitsch souvenirs and homewares to artworks and designer accessories

Sydney Opera House Barbie doll

An icon wearing an icon: Sydney Opera House Barbie

Stepping away from her signature pink, Barbie honours the Sydney Opera House with more subtle tones in her gown, that reflect the Opera House and its Harbourside location

Harold Blair sings at a piano played by Marjorie Lawrence
First Nations

Paving the way ... Harold Blair: The first Aboriginal opera singer

A short documentary that offers a glimpse into the life of Harold Blair, a world-renowned tenor, family man and political campaigner who sought social justice and human rights for Australia’s First Nations people