Architecture & design

The Trades Hall atrium

Ten architectural terms you might hear on a Sydney Open tour (and what they mean)

Heading to a Sydney Open tour? Consider this your architectural phrasebook – ten concepts explained that’ll help you make sense of the buildings you encounter

Rustic adornment: design imitating nature

Rustic design style evokes nature by imitating organic forms such as tree branches, flowers and animals, and incorporates natural textures like wood and stone

Constructive Women and the power of community

This paper was written by Rhys Burke in 2026 as a recipient of the Dr Zeny Edwards OAM Student Research Fellowship at Museums of History NSW

The home [periodical]

The ‘New Woman’

Modern living, interiors and feminine identity in interwar New South Wales

Beyond authorship

Women architects and public housing in New South Wales, 1930–80

Wallpaper roller undergoing 3D capture using photogrammetry
Wallpaper

Wallpaper printing rollers: from machine printing to 3D capture

In December 2022, Phyllis Murphy AM generously donated to the Caroline Simpson Library more than 3,000 wallpaper samples. While the bulk of the donation consists of wallpaper rolls, lengths and sample books, it also includes two printing rollers

Our beautiful homes, N.S.W. Series 2.

House photo albums

These specially produced photograph albums (some in published form and others consisting of photographs pasted into an album) comprise images of one or more domestic dwellings and depict exteriors, interiors and gardens in NSW mostly from the late 19th to the early 20th centuries

Drawing room and entry hall, Fenton, Edgecliff, 1976

Richard Stringer’s architectural photographs, 1968–2003

This portfolio contains 55 photo prints taken by architectural photographer Richard Stringer, dating from 1968 to 2003, documenting significant Australian domestic buildings

286-288 Queen Street, Campbelltown, January 1954 / Barry Wollaston

Barry Wollaston: historic buildings in the county of Cumberland (NSW), 1954

This collection consists of 232 photo negatives by architect and photographer Barry Wollaston of buildings in the Sydney region considered by the Royal Australian Institute of Architects in the early 1950s to be of architectural and historical value