Originally written for voice and piano, ‘The Letter’ is one of a dozen tunes from a series called the ‘Superstitions of Ireland’ originally published in London in the late 1830s.
Raised on Irish folk songs sung to him by his mother, Samuel Lover (1797-1868) had been a precocious child and his talents in music, literature, and drawing led to a long and rich professional life both on and off the stage. Each of these songs opens with a short paragraph describing an Irish superstition that sets the scene. ‘The Letter’ begins:
A small spark, attached to the wick of a candle is considered to indicate the arrival of a letter to the one before whom it burns.
This song was discovered in the Rouse Hill Estate collection by the Sydney Children’s Choir and has been transformed into a new work for 22 voice choir, violin and piano. The choir was filmed performing the piece at Rouse Hill Estate.
Watch the performance
Listen to the Sydney Children’s Choir perform ‘The Letter’ and then have a go yourself! This is the only known recording of this song so you can help us share more versions with the world.
The Letter
A small spark, attached to the wick of a candle is considered to indicate the arrival of a letter to the one before whom it burns.
FARE-THEE-WELL, love, now thou art going Over the wild and trackless sea; Smooth be its waves, and fair the wind blowing– Tho 'tis to bear thee far from me. But when on the waste of Ocean, Some happy home-bound bark you see, Swear by the truth of thy heart's devotion, To send a letter back to me.
Think of the shore thou'st left behind thee, Even when reaching a brighter strand; Let not the golden glories blind thee Of that gorgeous Indian land; Send me not its diamond treasures, Nor pearls from the depth of its sunny sea, But tell me of all thy woes and pleasures, In a long letter back to me.
And while dwelling in lands of pleasure, Think, as you bask in their bright sunshine, That while the ling’ring time I measure, Sad and wintry hours are mine; Lonely by my taper weeping And watching, the spark of promise to see– All for that bright spark, my night-watch keeping, For oh! 'tis a letter, love, from thee! To say that soon thy sail will be flowing Homeward to bear thee over the sea: Calm be the waves and swift the wind blowing, For oh! thou art coming back to me!
Gondwana Choirs comprises the most accomplished choral groups of young people in Australia. Led by Artistic Director & Founder, Lyn Williams AM, the organisation is synonymous with performance excellence and has a reputation for the highest standards of young people’s choral music in Australia and internationally.
In 2019, the Sydney Children’s Choir celebrated its 30th anniversary with the spectacular Gondwana World Choral Festival, which brought the world’s finest children’s choirs to Sydney for a week of 21 performances. Broadcast on ABC Classic, the festival included the world premieres of Only I by Nico Muhly and I am Martuwarra by Paul Stanhope. In 2020, SCC has been invited to perform Mahler’s Symphony No. 8 with the Melbourne Symphony Orchestra, conducted by Sir Andrew Davis.
Gondwana’s national choirs represent Australia on the world stage. In 2019, Gondwana Voices travelled to Berlin to perform Brett Dean’s Vexations and Devotions with the Berlin Radio Symphony Orchestra in the Philharmonie under the baton of Vladmimir Jurowksi. In 2020, Gondwana was honoured to be the only Australian choir invited to perform at the World Symposium on Choral Music hosted by the International Federation for Choral Music.
We delved into the hundreds of popular songs that survive in the collection at Rouse Hill Estate in north-west Sydney to bring you the top 20 hits of the 1840s and 50s – songs played across NSW, Australia and overseas
A single song can have a thousand meanings depending on its interpreter. Yuwaalaraay storyteller and musician Nardi Simpson shares her version of a 19th-century parlour song