Inspiring Iridescent: Justice & Police Museum

Find out more about the curatorial research that inspired artist Gerwyn Davies’s response to the Justice & Police Museum, featured in the Iridescent exhibition.

A figure shackled, or encased in a gold band of matrimony? Inspired by the story of Captain Moonlite and his love for fellow bushranger James Nesbitt, Justice & Police Museum by Gerwyn Davies plays on the dual meaning of the ring – as a symbol of love, or of incarceration.

Andrew George Scott, a.k.a. Captain Moonlite, was arrested for fraud after trying to cash a bad cheque in 1870. Following his arrest, he was kept in a cell at the Water Police Court, now the Justice & Police Museum. In Davies’s image, the bound figure sits in the processing room awaiting sentence. He turns his back on the portrait of the monarch that hangs on the wall as a reminder of colonial authority. Captain Moonlite’s official records of incarceration and punishment survive in NSW State Archives, yet it is Scott’s words of love for Nesbitt – written from Darlinghurst Gaol in 1880 – that speak most loudly to us today. Under the reign of Queen Victoria their love was an unspeakable act. This figure reminds us that it was an act, also, of defiance.

Fabricating heroes: Iridescent by Gerwyn Davies

Gerwyn Davies’s creations – from oversized queer creatures to fantastically costumed beings – invade our historic interiors and significant places

Man in yellow costume sitting on a chair at Elizabeth Bay House
Past Exhibition
Past exhibition

Iridescent by Gerwyn Davies

Past exhibition

Published on 
Mel Flyte

Mel Flyte

Collections Discovery Assistant, Caroline Simpson Library

Growing up in rural NSW on Wiradjuri country, Mel’s childhood was spent undertaking her own archaeological excavations in the creek bed on her family’s property. Old bottles, cow bones, and pieces of rusty farm equipment were all exciting discoveries capable of revealing stories of the past. School holidays were punctuated with long car trips with her mum to see blockbuster exhibitions in Canberra and Sydney, so galleries and museums have always felt familiar. Studies in archaeology and art history have inspired Mel’s passion for objects and their ability to elicit emotions and tell stories.