Through a glass darkly

A star-gazing schoolmaster, a mourning widow, an immigrant farmer, a practical chemist, a defiant bushranger, an unidentified child and a trio of genteel young girls: they all feature in the earliest portrait photographs from the Museum of History NSW's collections.

Dated from 1855 to 1867, these pictures were created using the daguerreotype and ambrotype processes, two of the earliest photographic formats invented. They are usually preserved under glass, gilt-framed in plush velvet-lined cases. They are fascinating but mysterious. The correct lighting and angle of view are required to clearly see a positive image on the mirror-like surface of the daguerreotype or to see through the reflective layers of the ambrotype. Without provenance it is often impossible to date the image or identify the sitter. Those who cherished the ‘likeness’ had no surface on which to inscribe.

Portrait of an unidentified little girl

Ben Hall

Hannah Terry Rouse

Lizzie Rouse

Mrs Jane Kennerly

Richard Rouse Terry

Roderick McGregor

Thomas McKenzie

Eleanor Wingate

Emma Rouse

Kenneth McKenzie

Mother and daughter

Phoebe Rouse

Robert Hunt

Siblings

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Chenille curtain sunburst design

Furnishing textiles in Australia: 1850-1920

The Caroline Simpson Library holds numerous examples of textile furnishings provenanced to NSW homes dating back to the 1850s

Keeping cool

Shading the face, fanning a fire into a blaze or cooling food, shooing away insects, conveying social status, even passing discreet romantic messages - the use of the fan goes far beyond the creation of a breeze

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Baubles, brooches & beads

We wear jewellery as articles of dress and fashion and for sentimental reasons – as tokens of love, as symbols of mourning, as souvenirs of travel

[Mrs Beeton's Cookery Book], circa 1880

Rouse Hill recipes

Through most of the nineteenth century, Rouse Hill House was the social hub of the district and the Rouse family regularly played host to many events