The Butterfly House

Designed by Peter McIntyre in 1955, the Butterfly House in Kew, Victoria, challenged conservative postwar architecture in Australia through the use of bold colour and experimental design.

Peter McIntyre founded his first architectural practice in 1950 and has held numerous positions as a tertiary educator. He has been the recipient of many awards including the 1990 RAIA Gold Medal. He designed the Butterfly House in response to a difficult and steep site, never intending it to become his family home.

The home of architects Peter and Dione McIntyre ... symbolised the spirit of the new Melbourne house in the mid-1950s ... Form and colour raised the spirits of the converted and deliberately jarred the unconverted into recognition that war was declared on conservatism

Robin Boyd, Australia's Home.

Published on 
Wallpaper roller undergoing 3D capture using photogrammetry
Wallpaper

Wallpaper printing rollers: from machine printing to 3D capture

In December 2022, Phyllis Murphy AM generously donated to the Caroline Simpson Library more than 3,000 wallpaper samples. While the bulk of the donation consists of wallpaper rolls, lengths and sample books, it also includes two printing rollers

Our beautiful homes, N.S.W. Series 2.

House photo albums

These specially produced photograph albums (some in published form and others consisting of photographs pasted into an album) comprise images of one or more domestic dwellings and depict exteriors, interiors and gardens in NSW mostly from the late 19th to the early 20th centuries

Drawing room and entry hall, Fenton, Edgecliff, 1976

Richard Stringer’s architectural photographs, 1968–2003

This portfolio contains 55 photo prints taken by architectural photographer Richard Stringer, dating from 1968 to 2003, documenting significant Australian domestic buildings

286-288 Queen Street, Campbelltown, January 1954 / Barry Wollaston

Barry Wollaston: historic buildings in the county of Cumberland (NSW), 1954

This collection consists of 232 photo negatives by architect and photographer Barry Wollaston of buildings in the Sydney region considered by the Royal Australian Institute of Architects in the early 1950s to be of architectural and historical value