Decorative architectural glass: 'figured rolled' samples

Figured rolled glass is a type of 'obscured', commercially produced sheet glass which is smooth on one side and has a figured or patterned surface on the other.

It was a decorative addition to public buildings and private homes in the 19th and 20th centuries, used in windows, external and internal doors. Its translucent quality added a practical dimension, admitting light while maintaining privacy. The first type of figured rolled glass, known as 'cathedral' glass, was patented in 1847 by Englishman James Hartley but by the late 19th century, many additional patterns had been added.

A collection of 68 figures rolled glass samples, part of the Caroline Simpson Library & Research Collection, include a number of different designs, many with their own identifying names: muffled, cathedral, flannel flower, Japanese, arctic, pattern 'G', pattern 'B', cats eye, grapene, maximum daylight glass and ground opal. Two English makers, Chance Bros and Pilkington Brothers, were the main producers of figured rolled glass at the beginning of the 20th century and so are almost certainly responsible for the production of these samples. Local manufacture of figured rolled glass began did not begin until 1931 and was then carried out by a Sydney company, Australian Window Glass.

The Sydney distributor's name, James Sandy & Co Ltd, is printed on a paper label on some of the samples. The date of issue of these samples was probably between 1909 and 1914 based on the distributor's name & address details. In the late 19th and early 20th centuries, James Sandy & Co specialised in the fitting out and painted decoration of public and private interiors. The company also sold a range of building products including various types of architectural and building glass.

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Portrait of man in dark shirt against sandstone wall.

Michael Lech

Curator

Michael Lech is a curator at MHNSW. He has worked on exhibitions, presented talks and written extensively on various aspects of the history of the home in Australia. Michael’s work has covered areas such as interior design, the history of wallpapers and furnishing textiles, the heritage movement, Sydney’s department stores and design history in Australia.

Diana Luxton Messara: public interior designer

The Diana Luxton Messara archive, generously donated by the designer herself, contains drawings, plans, textile designs, photographs, correspondence, publications, sample boards and personal papers spanning more than five decades.

Sylvia Evans at her dressing table in her bedroom at Alwyn, Arncliffe, around 1927 / Alan Evans

Fatshaudi commissioned works

We commissioned a range of musicians to create new compositions for Dream Feast in response to sheet music held in the Caroline Simpson Library Collection. One of the musicians, Fatshaudi (Brisbane-based producer Rachael Ryan), shares her experience

On a tour with palms: a botanical foray into the Caroline Simpson Library

A search for palms in the museum collections took this researcher on a journey back to a time when these plants were considered an essential addition to the tasteful home

Walford, 7 Knox Street, Double Bay, December 1967 [photographer unknown]

Leslie Walford Archive

For nearly 50 years Leslie Walford AM (1927–2012) was one of Sydney’s most successful interior designers, the decorator of choice for the city’s social elite and a leading figure in the Society of Interior Designers of Australia (SIDA).