Currently flowering on the verandahs at Elizabeth Farm are exotics from South America – Billbergia nutans, a type of bromeliad. They remind us that colonial gardens contained botanical riches from all around the world.

The pendulous florets which swing in the lightest breeze hang from a pink bract, and are in wonderful shades of pink, green edged in purple, and with buttery yellow stamens. They have a beautiful, pendant-like effect, like a piece of rich jewellery. The common name ‘queen's tears’ apparently comes from the drops of nectar that appear on the flowers when bumped.

The bilbergias are a particularly showy type of bromeliad. Billbergia pyramidalis is another species that puts on quite a display in our gardens. Commonly named ‘flaming torch’ for the blazing orange/pink central flower spike, it grows in bright shade in the gardens at Vaucluse House and Elizabeth Farm.

As with all bromeliads, Billbergia nutans produces one flower, after which the individual plant dies. Before then, however, they will throw numerous offsets which grow into new plants. Indeed, so many of these will be produced, and they are so easily divided and distributed, that it earnt them another name – the Friendship Plant. B. pyramidalis is also easily divided. Wait till the offsets have grown before cutting out the older parent plant.

B. nutans is easily grown in light shade. While they can be grown in the ground, putting them in a pot or hanging basket means you can easily enjoy their exuberant display. It will also make it easier to divide them when they inevitably become crowded. A tip is to give them a mist in dry weather, as the leaf tips can scorch. Keeping them moist will also encourage lush, green growth. They appreciate having their central ‘vases’ kept full of water, but don’t drown their roots. Don’t overdo the feeding, in a pot just a dilute orchid mix in the water sprayer is enough to keep them healthy, while in the garden they may not need feeding at all.

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Dr Scott Hill

Dr Scott Hill

Curator

Formal studies in architecture, along with travels through Asia and Europe, furthered Scott’s interest in colonial building, domestic design, and the intrinsic relationship between architecture and landscape. This culminated in his PhD ‘Paper Houses’, which examines the significant colonial identity John Macarthur’s interest in architecture, and the design of the Macarthur houses Elizabeth Farm (1793) and Camden Park (1834). In Scott’s words: ‘understanding a historic house, an interior or landscape is for me a process of 'reverse‐designing', about taking the finished product and digging down to find the 'why': the reasons, the decisions and the myriad hidden influences that led to its creation’. He has been curator at Elizabeth Bay House and Vaucluse House and most recently at Elizabeth Farm, Rouse Hill Estate, and Meroogal; ‘The Curator’ in the award-winning SLM blog The Cook and the Curator; co-curated the Eat Your History: A Shared Table exhibition; and in 2023-24 he was senior curator of the exhibition ‘The People’s House: Sydney Opera House at 50’ at the Museum of Sydney.

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Plant your history

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Plant your history

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