Clothing

Sydney Opera House Barbie doll

An icon wearing an icon: Sydney Opera House Barbie

Stepping away from her signature pink, Barbie honours the Sydney Opera House with more subtle tones in her gown, that reflect the Opera House and its Harbourside location

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Baubles, brooches & beads

We wear jewellery as articles of dress and fashion and for sentimental reasons – as tokens of love, as symbols of mourning, as souvenirs of travel

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Bicornes, bonnets & boaters

There’s a variety of headwear across our collections ranging in date from early to late nineteenth century

Child's stoneware tea set

Child's play

The imagination of a child can turn the simplest toy into a prized possession

Old and faded blue and white striped cotton shirt
Convict Sydney

Convict shirt

Known as a smish, kemesa or flesh-bag in the convict 'flash' slang language, this convict uniform shirt has been worn, torn, stained and patched

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Convict Sydney

Convict uniform buttons

Archaeologists found over 250 bone buttons, which were once attached to convict shirts, jackets and trousers, and then lost beneath the floors

A mannequin dressed in an elaborate Renaissance-style stage costume stands in a large Perspex-fronted display case . On the rear wall a small screen is showing a scene from the opera Lucrezia Borgia where Dame Joan Sutherland is wearing the same costume.

Dressing Joan Sutherland

One of the most spectacular costumes on display in the exhibition The People’s House: Sydney Opera House at 50 is an extraordinary Renaissance dress designed by Kristian Fredrikson and worn by Dame Joan Sutherland in the part of the notorious Lucrezia Borgia

Three hatpins c1900

Forgotten objects – the hatpin

Rarely seen or used today, hatpins were once an essential item for the fashionable lady

Man in yellow costume sitting on a chair at Elizabeth Bay House

Iridescent by Gerwyn Davies film

Artist Gerwyn Davies discusses the making of the exhibition 'Iridescent by Gerwyn Davies, at the Museum of Sydney