Barcoding our collection

During the 2021 COVID lockdown, a team was busy working behind the scenes to implement technology that will improve how we manage our collections and make them more discoverable for our audiences.

We look after around 46,000 objects and an additional 250,000 archaeological artefacts on behalf of the people of NSW. Our collections are subject to regular external audits to ensure they’re being responsibly cared for. To prepare for these audits each year, our Collections & Access Team, with the assistance of curators at the properties, physically sight between 7500 and 22,000 objects to confirm that they’re in their expected location. Once a location is confirmed, this information, along with any updates on the object’s condition, is manually entered into our collection database.

These stocktakes and data updates are a significant part of our collection management process and help us to monitor object condition and access. However, with such a large number of objects and locations spread across our 12 sites, the process can take a considerable amount of time. Such manual work can also lead to human error, and so we wanted to find a way to automate parts of this process.

Simple yet effective technology

After investigating collection management practices at other cultural institutions, we decided to implement a tried and tested technology, the barcode. One of the advantages of a barcode system is its simplicity: you scan the barcode with a device such as a smartphone, and information is displayed on the device’s screen. Barcodes can be produced on a standard office printer, and while we’ve seen new iterations of the barcode, such as quick response (QR) codes, the technology is unlikely to become redundant anytime soon. Additionally, the system continues to require staff to sight each object in order to scan its barcode, which means that the object’s condition can be assessed at the same time.

Fortunately, a barcoding system was already on the market that was compatible with our database, and only a few small customisations were needed to meet our collection management needs.

This system will allow our curators and collections staff to access object information on their smart device from anywhere in our museums and houses. With barcodes assigned to objects on display, there’s also potential to allow visitors to do the same in the future.

By simply scanning a barcode, visitors could directly connect to the object’s record in our online collection catalogue, accessing a wealth of information such as provenance, maker, date, and statement of significance.

Testing during lockdown

Before planning a broader rollout to the tens of thousands of objects in our collections, we undertook a pilot project to test and refine the system. With a variety of object formats and storage infrastructure, the collection store at Vaucluse House, holding objects that aren’t on display, was a good test case to determine how barcodes would be attached to objects and allow for scanning without the need to physically handle each object.

We invested in the equipment and software for the pilot project and set aside five weeks in August and September to undertake the barcoding work. The project team discovered that the process of printing and attaching barcodes was quick and easy. A stocktake of the barcoded objects found that the data flowed through to our database seamlessly, and work in the Vaucluse House collection store was completed ahead of schedule. We then decided to extend the pilot to include objects on display inside Vaucluse House itself. The items in storage already had attached labels to which barcodes were easily added, but items on public display have no visible labels, and we obviously didn’t want to cover the museum in barcodes. Instead, an object list including the barcode for each object was used.

What we discovered at the end of our tests was that even though the barcoding system required us to assign and print a barcode for each object, the time saved by automating the data entry was significant. The addition of barcodes has allowed us to complete this crucial work in caring for our collections more quickly and accurately. The staff time saved will be redirected to increasing public access to our collections through digitisation and interpretation.

The total number of objects scanned into the barcoding software for the pilot project was 2511, which is over 5 per cent of the accessioned objects in our collections. With the success of the pilot, a plan has been developed to roll out the barcoding technology to include all 46,000 accessioned objects and eventually the 250,000 archaeological artefacts in our collections.

Published on 
Alexander Mackintosh Archive : 
architectural plans and specifications, 1901-ca.1921: Waterhouse & Lake : architectural plans and specifications, 1909-1924 / B.J. Waterhouse & J.W. Lake [architectural drawing]

The Alexander Mackintosh Archive: revealing records of a master builder

Forgotten for decades, the archive of building contractor Alexander Mackintosh was rediscovered in a roof space in the 1990s. It includes more than 270 architectural drawings and reveals information about the work of many of Sydney’s leading architects of the early 20th century

[Sydney from the north shore], Joseph Lycett, 1827.

Hearing the music of early New South Wales

A new website documents an exciting partnership between Museums of History NSW and the University of Sydney in an exploration of Indigenous song and European settler vocal and instrumental music in early colonial NSW

Designs for elegant cottages and small villas, calculated for the comfort and convenience of persons of moderate and of ample fortune carefully studied and thrown into perspective : to which is annexed, a general estimate of the probable expense attending the execution of each design / by E. Gyfford

The architectural pattern books of Elizabeth Macquarie

The architectural achievements of Governor Macquarie’s era are usually attributed to Macquarie’s architect Francis Greenway. Yet evidence collected during an inquiry into the state of the colony of NSW in the early 1820s includes references to the involvement of the governor’s wife, Elizabeth Macquarie, in matters architectural

Phyllis Murphy in her East Malvern apartment, Melbourne, c1950
Wallpaper

Beyond the wallpaper: the life and work of Phyllis and John Murphy

A significant donation of more than 3,000 wallpaper samples to the Caroline Simpson Library reflects just one facet of the remarkable careers of Phyllis and John Murphy, partners in life, architecture and heritage conservation