Music

[Sydney from the north shore], Joseph Lycett, 1827.

Hearing the music of early New South Wales

A new website documents an exciting partnership between Museums of History NSW and the University of Sydney in an exploration of Indigenous song and European settler vocal and instrumental music in early colonial NSW

A mannequin dressed in an elaborate Renaissance-style stage costume stands in a large Perspex-fronted display case . On the rear wall a small screen is showing a scene from the opera Lucrezia Borgia where Dame Joan Sutherland is wearing the same costume.

Dressing Joan Sutherland

One of the most spectacular costumes on display in the exhibition The People’s House: Sydney Opera House at 50 is an extraordinary Renaissance dress designed by Kristian Fredrikson and worn by Dame Joan Sutherland in the part of the notorious Lucrezia Borgia

Harold Blair sings at a piano played by Marjorie Lawrence
First Nations

Paving the way ... Harold Blair: The first Aboriginal opera singer

A short documentary that offers a glimpse into the life of Harold Blair, a world-renowned tenor, family man and political campaigner who sought social justice and human rights for Australia’s First Nations people

Todd Duncan (baritone) with Harold Blair, c.1950s
First Nations

Harold Blair, trailblazer

Wulli Wulli tenor Harold Blair AM was Australia’s first professionally trained Aboriginal opera singer

Rolled piece of music on wooden scroll.
WW1

The Allies in camp music roll

Rouse Hill house boasts a fine pianola, a player piano, which came into the house just a few years before the outbreak of World War I

Stitched cover of song book with blue and red printed design and words Our Boys.
WW1

Our Boys: patriotic sheet music

The song, written by a young Sydney woman named Evelyn Greig, was one of more than 500 patriotic songs published in Australia during World War I

Strings, Litchfield Binckes square piano in the morning room, Elizabeth Bay House

Here and there: concert playlist

Experience a concert at Elizabeth Bay House showcasing a magical evening contrasting two different musical worlds

Projector and slides.

1960s psychedelia at Rouse Hill House

In a short experimental period of music making, the talented young John Terry combined radical musical ideas with abstract imagery and the soundscape of Rouse Hill House

Watercolour of interior of ballroom with figures dancing.

The art of playing polka

Sometimes good music takes a while to be appreciated