Growing the living collection – camellias at Vaucluse House

When William Charles Wentworth, statesman and owner of Vaucluse House, was buried in 1873, bunches of white camellia blooms were placed on his coffin.1 It is thought that the camellias were picked from the family’s garden. Amazingly, many of the camellias planted more than 150 years ago by the Wentworths at Vaucluse House still grow and bloom today!

When [the coffin] was finally put into its resting-place, with chaplets and a handsome cross of white camellias, Sir James Martin descended the vault and placed on the coffin – where Mr. Wentworth’s two sons had already placed flowers – a final chaplet of flowers.

‘Sketches of the early history of Australia, 1787 to 1850, and its evolution from bondage to freedom’, Fitzroy City Press (Vic), 30 June 1911, p3

For almost two centuries, camellias have been a defining feature of Australian gardens, prized for their spectacular blooms, dark foliage and remarkable longevity. At Vaucluse House, Museums of History NSW cares for a highly significant collection of historical camellias, including several rare cultivars dating back to the mid-19th century.

Many of these historical varieties can be traced to Sydney’s pioneering nurseries, including those of Michael Guilfoyle and Thomas Shepherd, and especially of Sir William Macarthur, who created Australia’s first camellia cultivar. The introductions and unique cultivars of these early nurserymen helped shape the colony’s garden landscape.

Championing the identification and preservation of these plants is Camellia Ark Australia, which is celebrating its ten-year anniversary in 2026. Co-founder Dr Stephen Utick has announced that the organisation is donating three highly prized historical camellias to be planted at Vaucluse House:

  • Iris, a white formal double camellia that was first recorded in NSW in the 1830s, and sold by John Baptist’s nursery in Surry Hills in 1861. View catalogue
  • Azurea, a rare red-purple informal double, from Shepherd & Co nursery
  • the very rare Zambo, a small purple double bloom also from Shepherd & Co, and listed in the 1860s and 70s.

These plants join Camellia japonica ‘Mrs Fairfax’, an 1875 cultivar developed by colonial nurseryman Michael Guilfoyle2 at his Exotic Garden nursery in Double Bay. The plant was donated last December, grown from a single surviving specimen that had been identified in Victoria.

These generous donations from Camellia Ark Australia are a fantastic example of the important work the organisation performs in preserving these important species for future generations. It also highlights the valuable work done by Museums of History NSW in caring for our gardens and their historically significant living collections.

Notes

  1. ‘Public funeral for Mr W C Wentworth’, Empire (Sydney), 7 May 1873, p2, Carol Liston, Sarah Wentworth, mistress of Vaucluse, Historic Houses Trust of NSW, Glebe, NSW, 1988, p108.
  2. Camellia Research Society (NSW) newsletter, September 2021.

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Man in a blue shirt and tan sports coat with a beard.

Dr Scott Hill

Curator

Formal studies in architecture, along with travels through Asia and Europe, furthered Scott’s interest in colonial building, domestic design, and the intrinsic relationship between architecture and landscape. This culminated in his PhD ‘Paper Houses’, which examines the significant colonial identity John Macarthur’s interest in architecture, and the design of the Macarthur houses Elizabeth Farm (1793) and Camden Park (1834). In Scott’s words: ‘understanding a historic house, an interior or landscape is for me a process of 'reverse‐designing', about taking the finished product and digging down to find the 'why': the reasons, the decisions and the myriad hidden influences that led to its creation’. He has been curator at Elizabeth Bay House and Vaucluse House and most recently at Elizabeth Farm, Rouse Hill Estate, and Meroogal; ‘The Curator’ in the award-winning SLM blog The Cook and the Curator; co-curated the Eat Your History: A Shared Table exhibition; and in 2023-24 he was senior curator of the exhibition ‘The People’s House: Sydney Opera House at 50’ at the Museum of Sydney.

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